Welcome to Summer at Waterside! Every summer, we present exciting entertainment on our picturesque Plaza! Free! Continue reading “Waterside’s 2019 Summer Concerts on the Plaza”
Over the Memorial Day Weekend, there are over 270 performances – all at one location!
Continue reading “Hundreds of Performances – One Weekend & Venue!”
Doc Fortnight 2019 begins this Thursday! MoMA’s annual nonfiction film festival provides a week full of features and shorts from around the globe. Continue reading “Delve Deep with Documentaries – at MoMA’s Doc Fortnight”
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Artist date with @kcharleton1109 checking out @broadwaymallassociation’s Kathy Ruttenberg “In Dreams Awake” public art exhibit! A whimsical journey along Broadway, there’s All The World’s A Stage at 64th, In Sync at 72nd, Ms. Mighty Mouse at 79th, Snail’s Pace at 96th, Topsy Turvy at 117th, and Fish Bowl at 157th #indreamsawake #broadwaymallassociation #artintheparks #artistdate #walkingbroadway #posing #publicart #statues #sculptures #art
There’s so much to see. Exhibits include experimental and traditional art, in many park locations. They explore various themes including: Disappearing businesses, issues of race, issues of class, diversity, cultural displacements, overlooked portions of New York City history, and much more.
The Art in Parks program began in the late 60s with an intention to use public spaces as outdoor museums, “letting works of art ‘loose in the city, to set them under the light of day where they intrude upon our daily walks and errands.'”
A few you can catch right now:
“… a sphere of tiny porcelain sculptures, each an intimate, bone-like shape, adhered and supported by an elaborate system of aluminum and epoxy. Comprised of innumerable parts which on their own may appear insignificant, the structure celebrates the idea that small things together amount to something impactful; a monument to collective consciousness.”
“Karla and James Murray’s wood-framed sculpture consists of near life-size photographs of four mom-and-pop neighborhood stores of the Lower East Side, which are no longer in business and have disappeared from the streetscape. Images of a bodega, a coffee shop/luncheonette, a vintage store, and a newsstand recognize the unique and irreplaceable contribution made to New York by small, often family-owned businesses.”
“Our Memories is an evolving audience participatory installation. Recognizing the need to record one’s personal experience, these neuron-inspired sculptures contain cavities in which participants place a color-coded “memory stone”. The memory stones are classified into six emotive categories: joy, anger, love, sadness, fear, and surprise. This active act of recollection not only stirs up personal memories, it also physiologically generates a new collective memory. The Our Memories project is both a larger memorial piece, made complete by thousands of individual memories from people all over the world, and an experience that connects us to our core and to one another.”
“Tanda Francis’ work examines the African presence in public space as a powerful force of beauty and cultural relevance. Inspired by African sculptural tradition, including Ife portraiture, Francis also incorporates Victorian and colonial ornamentation into her work. Adorn Me addresses the underrepresentation of this demographic in public artworks, and provide a healing message during a time of heated debate over monuments erected as symbols of oppression and control.”
Beyond being intriguing pieces, art can have profound influence, as this experience demonstrates:
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UGLY . A few weeks ago ( before blackening the surface of the #AdornMeSculpture ) I was working on the installation when a group of about 6 pre-teen to teenaged African American girls ranging in age from about 11-15 walked toward the sculpture ooohing and wowing over it. One little girl spoke up and said “I don’t like it.” All the other girls asked her why. She scrunched her little nose up and said “It’s her nose, it’s so big. Why’d *they* make her nose so big” Up until that point, The kids didn’t pay any attention to me. I must have been a worker cleaning the sculpture. But at this point, yours truly enters the conversation. “I made it like that because that’s how my nose is made. I made it to look like my nose. Instantly the poor thing realized that I was the creator and the model of this thing she so confidently declared ugly. She must have thought she hurt my feelings but she actually gifted me with this shareable moment. Shocked. Her mouth hung open for a while before she could manage to say “I didn’t know.” Her face was in between this ? and this ?. So this is how it looks to witnessing a lifelong memory being imprinted into a child. And I’m like ?yeah. Let that set in. Anyway, While the other girls giggled and seemed elated that it wasn’t their foot that needed to be fish out of their mouth, I was completely unbothered and armed with a real-time case study. A testament to the validity of my work ? I said “It’s ok. She’s just not used to seeing someone who looks like this featured in this way. That’s why I did this sculpture and put it here. I’ve seen many people stand here and say with a smile “she looks like me!” One of the older girls added “Yeah, I know, I’ve seen people who can be pretty even thought they have a big nose.” Me “Did you ever consider that they are pretty *because* their nose is big? Maybe her nose at that size is a part of her beauty. But you would never consider that because you are almost exclusively shown beauty from another point of view.” In the end, they all seemed sense an overall point to the piece being there… and ladies and gentlemen, that is why I do what I do 😉 ?? . . . ? ✨ #micdrop
“Dim, poignant, surreal, unconventional. Probably these are the first words to come to one’s mind, when describing the animated films made in Central and Eastern Europe (CEE). Almost 30 years after the fall of the Iron Curtain, and the slow and oftentimes troubled process of democratization in the region, animated short films have an increasing approach to reflect on social and political subjects. While artistic animated short films have a tendency in general to evoke the universal condition of human existence, contemporary animation from Central and Eastern Europe combine this with a strong incentive for dealing with issues of the actual world, like the long-term effects of childhood traumas on one’s personality, the gender differences or the personal freedom in today’s society.”
Films from: Poland, Slovakia, Serbia and Montenegro, Latvia and Hungary.
(The full program has, in addition to the screenings, workshops and a networking event.)
More information at: animatedspirits.org